On the new American Vintage II version, the ash body is fashioned from two solid sections of ash glued together at the guitar’s center line. To create the lighter, semi-hollow Thinline, Rossmeisl adopted the construction technique he developed for Rickenbacker: routing acoustic chambers from a solid section of ash, and then capping the back of the guitar with a thinner section of wood. The first Telecaster Thinline, which appeared in 1969, was hatched from the mind by Roger Rossmeisl, who famously designed Rickenbacker’s 300 series guitars, among others, before moving to Fender and conceiving the Coronado, Montego, and the company’s mid-’60s acoustic line. Pickups were not the only deviation from design norms that distinguished the ’72 Thinline. Steely Dan to creating his own jazz-fusion. Want to play over minor IIm–V7s fast?” Guitarist/composer Wayne Krantz’s evolutionĪs an artist has taken expansive directions, V7s with theory, but could do it effortlessly,įorever, by ear. Goodrick the other night in Boston, and IĬould kill myself trying to play minor IIm– Practice each approach, visit the online version The belief that it introduced new sounds toĪt this point I don’t believe that always happens To learn a lot of stuff that countless great ear Is the right note to play next?” I always validated Tough to accurately play something your earĭifferent. Without making any mistakes, you’re a goodĮar player. It’s generated by the ear then directly translated Blues! Suddenly the concept of playingĬhanges-which had always seemed like some On guitar I noticed the melodies often outlinedīlues. Her, so I started singing them, making up Yet with this thing came recently one night Something more on the “ear” solo-something I love both solos, but I was able to get to Saxophonist David Binney’s record, GraylenĮpicenter. Over changes by ear is the title track on To quickly figure out which scales I was going Musicality I had to make it work, but I had Great Pagoda of Funn” is the best recorded Harmonies, I realized the man is basicallyįolks-the greatest living jazz guitarist, if In G, then effortlessly and fantastically play ![]() Him struggle to recite the roots of IIm–V7 They were winging it, sometimes over complex Often over the phone- but in between licks The complicated lines, and the contemporary Things have been coming up lately that suggest In terms of the sometimes irritating jazz Much of it was done in the belief that myĮar alone would not be enough, and that toĬonsistently sound convincing I would need I practiced what my teachers told me, then I’ve spent a good chunk of my life trying Know when and how to “forget” everything? It take to learn “everything?” How will I To enlighten, but like so many others of its “If you just learn this, then you will sound Fuji of expectations, possibilities, secrets,Īnd ritualized monastic study that promises: Theoretical knowledge sitting out there-the It’s about coming to terms withĪnd ultimately transcending the mountain of ![]() Three or four others who mattered to me as It.” I know Jaco Pastorius said it, and maybe Phrase, “Learn everything and then forget Chops: Beginner Theory: Beginner Lesson Overview:Ĭlick here to download the sound clips from this lesson.
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